Magdalena Stefaniak’s appearance on stage stunned me that a singer of such fantastic beauty, grace, impeccable movement, and demeanor existed in Poland, and I was seeing it for the first time. And when she began singing, I was captivated by her beautiful soprano, with its large and resonant volume, balanced throughout its range and possessing a precise coloratura technique, brilliantly demonstrated in „Quel guardo il cavaliere…”, „E strano!”, „Je veux vivre,” and in the second part of Adele’s aria from „Die Fledermaus” and „Aria with laughter” from „Pericholi.”